using_decals.rst 12 KB

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  1. .. _doc_using_decals:
  2. Using decals
  3. ============
  4. .. note::
  5. Decals are only supported in the Forward+ and Mobile renderers, not the
  6. Compatibility renderer.
  7. If using the Compatibility renderer, consider using Sprite3D as an alternative
  8. for projecting decals onto (mostly) flat surfaces.
  9. Decals are projected textures that apply on opaque or transparent surfaces in
  10. 3D. This projection happens in real-time and doesn't rely on mesh generation.
  11. This allows you to move decals every frame with only a small performance impact,
  12. even when applied on complex meshes.
  13. While decals cannot add actual geometry detail onto the projected surface,
  14. decals can still make use of physically-based rendering to provide similar
  15. properties to full-blown :abbr:`PBR (Physically-Based Rendering)` materials.
  16. On this page, you'll learn:
  17. - How to set up decals in the 3D editor.
  18. - How to create decals during gameplay in a 3D scene (such as bullet impacts).
  19. - How to balance decal configuration between performance and quality.
  20. .. seealso::
  21. The Godot demo projects repository contains a
  22. `3D decals demo <https://github.com/godotengine/godot-demo-projects/tree/master/3d/decals>`__.
  23. If you're looking to write arbitrary 3D text on top of a surface, use
  24. :ref:`doc_3d_text` placed close to a surface instead of a Decal node.
  25. Use cases
  26. ---------
  27. Static decoration
  28. ^^^^^^^^^^^^^^^^^
  29. Sometimes, the fastest way to add texture detail to a scene is to use decals.
  30. This is especially the case for organic detail, such as patches of dirt or sand
  31. scattered on a large surface. Decals can help break up texture repetition in
  32. scenes and make patterns look more natural. On a smaller scale, decals can also
  33. be used to create detail variations for objects. For example, decals can be used
  34. to add nuts and bolts on top of hard-surface geometry.
  35. Since decals can inject their own :abbr:`PBR (Physically-Based Rendering)`
  36. properties on top of the projected surfaces, they can also be used to create
  37. footprints or wet puddles.
  38. .. figure:: img/decals_dirt.webp
  39. :align: center
  40. :alt: Dirt added on top of level geometry using decals
  41. Dirt added on top of level geometry using decals
  42. Dynamic gameplay elements
  43. ^^^^^^^^^^^^^^^^^^^^^^^^^
  44. Decals can represent temporary or persistent gameplay effects such as bullet
  45. impacts and explosion scorches.
  46. Using an AnimationPlayer node or a script, decals can be made to fade over time
  47. (and then be removed using ``queue_free()``) to improve performance.
  48. Blob shadows
  49. ^^^^^^^^^^^^
  50. Blob shadows are frequently used in mobile projects (or to follow a retro art
  51. style), as real-time lighting tends to be too expensive on low-end mobile
  52. devices. However, when relying on baked lightmaps with fully baked lights,
  53. dynamic objects will not cast *any* shadow from those lights. This makes dynamic
  54. objects in lightmapped scenes look flat in comparison to real-time lighting,
  55. with dynamic objects almost looking like they're floating.
  56. Thanks to blob shadows, dynamic objects can still cast an approximative shadow.
  57. Not only this helps with depth perception in the scene, but this can also be a
  58. gameplay element, especially in 3D platformers. The blob shadow's length can be
  59. extended to let the player know where they will land if they fall straight down.
  60. Even with real-time lighting, blob shadows can still be useful as a form of
  61. ambient occlusion for situations where SSAO is too expensive or too unstable due
  62. to its screen-space nature. For example, vehicles' underside shadows are
  63. well-represented using blob shadows.
  64. .. figure:: img/decals_blob_shadow.webp
  65. :align: center
  66. :alt: Blob shadow under object comparison
  67. Blob shadow under object comparison
  68. Quick start guide
  69. -----------------
  70. Creating decals in the editor
  71. ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
  72. 1. Create a Decal node in the 3D editor.
  73. 2. In the inspector, expand the **Textures** section and load a texture in
  74. **Textures > Albedo**.
  75. 3. Move the Decal node towards an object, then rotate it so the decal is visible
  76. (and in the right orientation). If the decal appears mirrored, try to rotate
  77. it by 180 degrees. You can double-check whether it's in the right orientation
  78. by increasing **Parameters > Normal Fade** to 0.5. This will prevent the Decal
  79. from being projected on surfaces that are not facing the decal.
  80. 4. If your decal is meant to affect static objects only, configure it to prevent
  81. affecting dynamic objects (or vice versa). To do so, change the decal's
  82. **Cull Mask** property to exclude certain layers. After doing this, modify
  83. your dynamic objects' MeshInstance3D nodes to change their visibility layers.
  84. For instance, you can move them from layer 1 to layer 2, then disable layer 2
  85. in the decal's **Cull Mask** property.
  86. Decal node properties
  87. ---------------------
  88. - **Extents:** The size of the decal. The Y axis determines the length of the
  89. decal's projection. Keep the projection length as short as possible to improve
  90. culling opportunities, therefore improving performance.
  91. Textures
  92. ^^^^^^^^
  93. - **Albedo:** The albedo (diffuse/color) map to use for the decal. In
  94. most situations, this is the texture you want to set first. If using a normal
  95. or ORM map, an albedo map *must* be set to provide an alpha channel. This
  96. alpha channel will be used as a mask to determine how much the normal/ORM maps
  97. will affect the underlying surface.
  98. - **Normal:** The normal map to use for the decal. This can be used
  99. to increase perceived detail on the decal by modifying how light reacts to it.
  100. The impact of this texture is multiplied by the albedo texture's alpha channel
  101. (but not **Albedo Mix**).
  102. - **ORM:** The Occlusion/Roughness/Metallic map to use for the decal.
  103. This is an optimized format for storing PBR material maps. Ambient Occlusion
  104. map is stored in the red channel, roughness map in the green channel, metallic
  105. map in the blue channel. The impact of this texture is multiplied by the
  106. albedo texture's alpha channel (but not **Albedo Mix**).
  107. - **Emission:** The emission texture to use for the decal. Unlike
  108. **Albedo**, this texture will appear to glow in the dark.
  109. Parameters
  110. ^^^^^^^^^^
  111. - **Emission Energy:** The brightness of the emission texture.
  112. - **Modulate:** Multiplies the color of the albedo and emission textures. Use
  113. this to tint decals (e.g. for paint decals, or to increase variation by
  114. randomizing each decal's modulation).
  115. - **Albedo Mix:** The opacity of the albedo texture. Unlike using an albedo
  116. texture with a more transparent alpha channel, decreasing this value below
  117. ``1.0`` does *not* reduce the impact of the normal/ORM texture on the
  118. underlying surface. Set this to ``0.0`` when creating normal/ORM-only decals
  119. such as footsteps or wet puddles.
  120. - **Normal Fade:** Fades the Decal if the angle between the Decal's
  121. :abbr:`AABB (Axis-Aligned Bounding Box)` and the target surface becomes too large.
  122. A value of ``0.0`` projects the decal regardless of angle, while a value of ``0.999``
  123. limits the decal to surfaces that are nearly perpendicular. Setting **Normal
  124. Fade** to a value greater than ``0.0`` has a small performance cost due to the
  125. added normal angle computations.
  126. Vertical Fade
  127. ^^^^^^^^^^^^^
  128. - **Upper Fade:** The curve over which the decal will fade as the surface gets
  129. further from the center of the :abbr:`AABB (Axis-Aligned Bounding Box)`
  130. (towards the decal's projection angle). Only positive values are valid.
  131. - **Lower Fade:** The curve over which the decal will fade as the surface gets
  132. further from the center of the :abbr:`AABB (Axis-Aligned Bounding Box)` (away
  133. from the decal's projection angle). Only positive values are valid.
  134. Distance Fade
  135. ^^^^^^^^^^^^^
  136. - **Enabled:** Controls whether distance fade (a form of :abbr:`LOD (Level of Detail)`)
  137. is enabled. The decal will fade out over **Begin + Length**, after which it
  138. will be culled and not sent to the shader at all. Use this to reduce the number
  139. of active decals in a scene and thus improve performance.
  140. - **Begin:** The distance from the camera at which the decal begins to fade away
  141. (in 3D units).
  142. - **Length:** The distance over which the decal fades (in 3D units). The decal
  143. becomes slowly more transparent over this distance and is completely invisible
  144. at the end. Higher values result in a smoother fade-out transition, which is
  145. more suited when the camera moves fast.
  146. Cull Mask
  147. ^^^^^^^^^
  148. - **Cull Mask:** Specifies which VisualInstance3D layers this decal will project
  149. on. By default, decals affect all layers. This is used so you can specify which
  150. types of objects receive the decal and which do not. This is especially useful
  151. so you can ensure that dynamic objects don't accidentally receive a Decal
  152. intended for the terrain under them.
  153. Decal rendering order
  154. ---------------------
  155. By default, decals are ordered based on the size of their :abbr:`AABB
  156. (Axis-Aligned Bounding Box)` and the distance to the camera. AABBs that are
  157. closer to the camera are rendered first, which means that decal rendering order
  158. can sometimes appear to change depending on camera position if some decals are
  159. positioned at the same location.
  160. To resolve this, you can adjust the **Sorting Offset** property in the
  161. VisualInstance3D section of the Decal node inspector. This offset is not a
  162. strict priority order, but a *guideline* that the renderer will use as the AABB
  163. size still affects how decal sorting works. Therefore, higher values will
  164. *always* result in the decal being drawn above other decals with a lower sorting
  165. offset.
  166. If you want to ensure a decal is always rendered on top of other decals,
  167. you need to set its **Sorting Offset** property to a positive value greater than
  168. the AABB length of the largest decal that may overlap it. To make this decal
  169. drawn behind other decals instead, set the **Sorting Offset** to the same
  170. negative value.
  171. .. figure:: img/decals_sorting_offset.webp
  172. :align: center
  173. :alt: VisualInstance3D Sorting Offset comparison on Decals
  174. VisualInstance3D Sorting Offset comparison on Decals
  175. Tweaking performance and quality
  176. --------------------------------
  177. Decal rendering performance is mostly determined by their screen coverage, but
  178. also their number. In general, a few large decals that cover up most of the
  179. screen will be more expensive to render than many small decals that are
  180. scattered around.
  181. To improve rendering performance, you can enable the **Distance Fade** property
  182. as described above. This will make distant decals fade out when they are far
  183. away from the camera (and may have little to no impact on the final scene
  184. rendering). Using node groups, you can also prevent non-essential decorative
  185. decals from spawning based on user configuration.
  186. The way decals are rendered also has an impact on performance. The
  187. :ref:`Rendering > Textures > Decals > Filter<class_ProjectSettings_property_rendering/textures/decals/filter>`
  188. advanced project setting lets you control how decal
  189. textures should be filtered. **Nearest/Linear** does not use mipmaps. However,
  190. decals will look grainy at a distance. **Nearest/Linear Mipmaps** will look
  191. smoother at a distance, but decals will look blurry when viewed from oblique
  192. angles. This can be resolved by using **Nearest/Linear Mipmaps Anisotropic**,
  193. which provides the highest quality, but is also slower to render.
  194. If your project has a pixel art style, consider setting the filter to one of the
  195. **Nearest** values so that decals use nearest-neighbor filtering. Otherwise,
  196. stick to **Linear**.
  197. Limitations
  198. -----------
  199. Decals cannot affect material properties other than the ones listed above,
  200. such as height (for parallax mapping).
  201. For performance reasons, decals use purely fixed rendering logic. This means
  202. decals cannot use custom shaders. However, custom shaders on the projected
  203. surfaces are able to read the information that is overridden by decals on top of
  204. them, such as roughness and metallic.
  205. When using the Forward+ renderer, Godot uses a *clustering* approach for
  206. decal rendering. As many decals as desired can be added (as long as
  207. performance allows). However, there's still a default limit of 512 *clustered
  208. elements* that can be present in the current camera view. A clustered element is
  209. an omni light, a spot light, a :ref:`decal <doc_using_decals>` or a
  210. :ref:`reflection probe <doc_reflection_probes>`. This limit can be increased by adjusting
  211. :ref:`Max Clustered Elements<class_ProjectSettings_property_rendering/limits/cluster_builder/max_clustered_elements>`
  212. in **Project Settings > Rendering > Limits > Cluster Builder**.
  213. When using the Mobile renderer, only 8 decals can be applied on each
  214. individual Mesh *resource*. If there are more decals affecting a single mesh,
  215. not all of them will be rendered on the mesh.